Constructing ideal victims? Violence narratives in Finnish crime-appeal programming
Gallous stories or dirty deeds? Representing parricide in J.M. Synge’s The Playboy of the Western World
The führer gives the Jews a town: Impression management, homo dramaticus, and bare life in Theresienstadt
The future(s) of risk: Barthes and Baudrillard go to Hollywood
‘I’ve seen this on CSI’: Criminal investigators' perceptions about the management of public expectations in the field